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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Australia (Sir Edmund Barton)
Australia (Sir Edmund Barton)
Australia (Sir Edmund Barton)

Australia (Sir Edmund Barton), 1902

Sir Leslie Ward, Vanity Fair Magazine
Portrait, chromolithograph on paper

Gift of Mr Ronald Walker 2001

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A magnificent rivalry

Australia's America's Cup challengers
General content

Alexander (Jock) Sturrock and Alan Bond

Guthugga Pipeline, Christmas Show, upstairs, The (old) Griffin Centre, Civic, 22 December 1979. Crowd, L-R : Ben Donaldson, Anne Redmond, Nick Vollis, Esa  Makela, Megan Woodrow (Mohawk), Andy Hall (scarf) 'pling

Capital Cool

Stop in all the byways, playin' rock 'n roll
General content

Outsiders tend to give Canberra a bad rap: sterile, plagued by politicians, a comatose capital for professionals and academics. Nick Cave once said he didn’t like the city because there were too many punks.

Bon Scott & Angus Young, Atlanta, Georgia
Bon Scott & Angus Young, Atlanta, Georgia
Bon Scott & Angus Young, Atlanta, Georgia

Bon Scott & Angus Young, Atlanta, Georgia, 1978 (printed 2010)

Rennie Ellis
Portrait, gelatin silver photograph, selenium toned on paper

Purchased 2010

Angus Young, AC/DC, LA

Oz Rock

Gettin’ robbed, gettin’ stoned, gettin’ beat up, broken boned
General content

Two of the music industry’s highest-selling performers originated in suburban Australia. The Bee Gees started out in Brisbane, for instance, and AC/DC played their first gigs at a nightclub in inner Sydney.

Fans at an Easybeats concert, Sydney Stadium, 1965 Bob King

Oz Origins

A little bit louder now
General content

Australia’s passion for rock ‘n roll was kindled by American and British acts in the 1950s and 60s. The novel genre’s driving, licentious rhythms and voices captured imaginations and libidos, not to mention aspiring young musicians.

Sketch of Clifton Pugh painting John Perceval
Sketch of Clifton Pugh painting John Perceval
Sketch of Clifton Pugh painting John Perceval

Sketch of Clifton Pugh painting John Perceval, 1985

Rick Amor
Portrait, pencil on paper

Collection: National Portrait Gallery
Gift of the artist 2016

William Johnson (1873—1948) by Percy Leason

Recognition

Percy Leason's Aboriginal Portraits
Previous exhibition, 1999

Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture

Dr Claire Roberts

References

General content

About the exhibition curator Claire Roberts, and writers Eugene Wang and Zhang Letian.

Frame from Self portrait, 2008

I walk the line

Magazine article by Michael Desmond, 2009

Bruce Petty's animated self portrait captures a life's journey compressed into a few minutes.

The Honourable Bob Hawke savouring a strawberry milkshake, 2017 by Harold David

The intellectual larrikin

Magazine article by Barrie Cassidy, 2019

Barrie Cassidy pays textured tribute to the inimitable Bob Hawke.

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Portrait Donors

Listed by year
Honour board
Dr Alison Inglis, AM, 2023 Dena Kahan

School portraits

About Face article

Inga Walton sheds light on a portraiture collection usually only seen by students and teachers at Melbourne University.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency